Here's the fourth webisode in the series of videos I've been editing for Simon's Cat Ltd. In this film, the talented Simon Tofield shows how he draws his character Simon's Sister's Dog.
Friday, December 09, 2011
Simon Draws; The Dog
Here's the fourth webisode in the series of videos I've been editing for Simon's Cat Ltd. In this film, the talented Simon Tofield shows how he draws his character Simon's Sister's Dog.
Sunday, December 04, 2011
A man with a tripod in Enfield : my experiences
Over the last couple of months, I've been out shooting film around my home town of Enfield. I've been inspired by some old 1970s era travelogue films to make one about my home town too. To get the required retro look, I've been shooting on Kodak Super8 film with one of my old 1970s era Nizo cine cameras.
I thought I'd recount some of my experiences 'street filming' out and about amongst the general public. I've included a few stills taken from the first roll of super8 film too. For most of the shooting, I was setting up my cine camera on a tripod, so any idea of 'stealth' filming was out of the question. I decided to just get on with it and see what happened...
ENFIELD MARKET:
I was filming around Enfield market for a while. One of the traders was really helpful and interested when I filmed the dummies on his clothes stall. But one of the fruit and veg. traders wasn't so happy ; he told me I should have permission from the market manager before filming there. Enfield Market square is apparently run by a charitable trust and they set their own terms about filming on the property. Luckily I'd pretty much filmed what I needed and moved on.
FISH SHOP:
As a courtesy, I told the shopkeeper here what I was doing before filming the goods on display in his window from the pavement. He was fine about it.
ENFIELD CIVIC CENTRE:
On a weekend day I got all of the shots I needed of the exterior of the Council building no problem, the place was closed and nobody was around. I also wanted to shoot some panoramic views of the town from the top floor of the Civic Centre. One weekday morning I went in to the reception desk and asked permission there. I used the internal phone to talk to someone 'upstairs' and explain my project too them, they said they would consider my request and call back. I was called back the next day... unfortunately no permission could be given for any filming from within the Council building...
OXFAM SHOP:
I was filming the exterior of the shop from the pavement. A shopkeeper came out and asked what I was doing. I told him I was just filming the shop's 'We Love Enfield' sign; he was fine about it. After this, a passer-by approached me and we had a nice chat about cameras and cine film etc.
ST. ANDREWS CHURCH:
I set my tripod up just inside the church grounds to take an exterior view of the church. A nice lady asked if I was doing this as 'coursework or something' I explained my motives and we had a pleasant chat about it. Then, an unkempt and suspicous gent came out and said 'You didn't film me did you..' , I hadn't, so I told him I hadn't; he went away. Then another gent came out while I was taking my shot. This turned out to be the church verger. He was quite cross with me and told me I needed the vicar's permission for filming... His biggest worry was that I might take a picture of the church that could 'end up on YouTube or something...'
LIBRARY:
I shot some exterior shots of the new library building, no problem. There is one interior shot I really would like to add to the film. I asked the librarians, and they in turn asked the library manager. The library manager said that I had to have permission from the Council's head of Library Services. I rang the Head of Library Services at the Civic Centre; she says permission can't be granted on grounds of needing permission from everyone in the shot before taking any pictures at the location. It looks unlikely that my film about Enfield will include any shots taken from within the new library building, though I will perhaps pursue this a little further...
+++UPDATE 16/12/11 I've just heard back from the Council's Head of Library Services and it suddenly looks much more likely that I can get the shot of the library interior too. Hurray : )
PALACE GARDENS SHOPPING CENTRE:
I took some exterior shots here, then ventured inside, this time using a monopod for extra speed! I did manage to take one shot here, but didn't feel too comforatable about rushing and working somewhat covertly. I have emailed the managers of the centre to ask permission to shoot from the car park, though not received any reply.
PALACE EXCHANGE SHOPPING CENTRE:
I was taking a monopod shot here when approached very quickly by a security guard. He told me no filming could take place on this 'private land', he offered that 'terrorism issues' were the main reason...
I think it highly likely now that my little Enfield film will not include any mention of the shopping centres at all. In a film about the nice aspects of Enfield Town, they seem to be especially un-welcoming places. It's my film, so I really don't feel inclined to give them any coverage..
So in conclusion, setting up a tripod and filming things in Enfield certainly attracts a lot of attention. UK law is that in public space it's OK to do all of this, take pictures or film, use a tripod, whatever ... Also, members of the public do not have any legal rights to 'privacy' of their image when out and about in public spaces. The UK surely wouldn't be one of the most CCTV surveilled countries in the world if this were indeed the case : )
The problem is that much of the space around town isn't really 'public'. The council-owned spaces (which we pay for of course) are seemingly almost impossible to 'officially' film in. Apparently the main concern is to protect the privacy of anyone that might be photographed. Seemingly open public spaces like the market square and shopping centres, (although they invite our presence as paying customers) do not welcome photographers at all.
In short, I'm not entirely surprised, but a little disappointed at these experiences. +++UPDATE 16/12/11 But very heartened by the possibility of the library shooting :) +++ My film when it's finished will show the Town in a good light, but it certainly hasn't been made any easier so far by the folks that set and enforce the 'rules' around the place. In such a risk-averse society, there seem to be plenty of 'good' reasons not to allow a bloke with a tripod and a 1970's cine camera to wander around taking pictures.
Perhaps a strange man has been filming you in Enfield Town recently? If you have been affected by any issues raised in this post, please use the comments button below...
I thought I'd recount some of my experiences 'street filming' out and about amongst the general public. I've included a few stills taken from the first roll of super8 film too. For most of the shooting, I was setting up my cine camera on a tripod, so any idea of 'stealth' filming was out of the question. I decided to just get on with it and see what happened...
ENFIELD MARKET:
I was filming around Enfield market for a while. One of the traders was really helpful and interested when I filmed the dummies on his clothes stall. But one of the fruit and veg. traders wasn't so happy ; he told me I should have permission from the market manager before filming there. Enfield Market square is apparently run by a charitable trust and they set their own terms about filming on the property. Luckily I'd pretty much filmed what I needed and moved on.
FISH SHOP:
As a courtesy, I told the shopkeeper here what I was doing before filming the goods on display in his window from the pavement. He was fine about it.
ENFIELD CIVIC CENTRE:
On a weekend day I got all of the shots I needed of the exterior of the Council building no problem, the place was closed and nobody was around. I also wanted to shoot some panoramic views of the town from the top floor of the Civic Centre. One weekday morning I went in to the reception desk and asked permission there. I used the internal phone to talk to someone 'upstairs' and explain my project too them, they said they would consider my request and call back. I was called back the next day... unfortunately no permission could be given for any filming from within the Council building...
OXFAM SHOP:
I was filming the exterior of the shop from the pavement. A shopkeeper came out and asked what I was doing. I told him I was just filming the shop's 'We Love Enfield' sign; he was fine about it. After this, a passer-by approached me and we had a nice chat about cameras and cine film etc.
ST. ANDREWS CHURCH:
I set my tripod up just inside the church grounds to take an exterior view of the church. A nice lady asked if I was doing this as 'coursework or something' I explained my motives and we had a pleasant chat about it. Then, an unkempt and suspicous gent came out and said 'You didn't film me did you..' , I hadn't, so I told him I hadn't; he went away. Then another gent came out while I was taking my shot. This turned out to be the church verger. He was quite cross with me and told me I needed the vicar's permission for filming... His biggest worry was that I might take a picture of the church that could 'end up on YouTube or something...'
LIBRARY:
I shot some exterior shots of the new library building, no problem. There is one interior shot I really would like to add to the film. I asked the librarians, and they in turn asked the library manager. The library manager said that I had to have permission from the Council's head of Library Services. I rang the Head of Library Services at the Civic Centre; she says permission can't be granted on grounds of needing permission from everyone in the shot before taking any pictures at the location.
+++UPDATE 16/12/11 I've just heard back from the Council's Head of Library Services and it suddenly looks much more likely that I can get the shot of the library interior too. Hurray : )
PALACE GARDENS SHOPPING CENTRE:
I took some exterior shots here, then ventured inside, this time using a monopod for extra speed! I did manage to take one shot here, but didn't feel too comforatable about rushing and working somewhat covertly. I have emailed the managers of the centre to ask permission to shoot from the car park, though not received any reply.
PALACE EXCHANGE SHOPPING CENTRE:
I was taking a monopod shot here when approached very quickly by a security guard. He told me no filming could take place on this 'private land', he offered that 'terrorism issues' were the main reason...
I think it highly likely now that my little Enfield film will not include any mention of the shopping centres at all. In a film about the nice aspects of Enfield Town, they seem to be especially un-welcoming places. It's my film, so I really don't feel inclined to give them any coverage..
So in conclusion, setting up a tripod and filming things in Enfield certainly attracts a lot of attention. UK law is that in public space it's OK to do all of this, take pictures or film, use a tripod, whatever ... Also, members of the public do not have any legal rights to 'privacy' of their image when out and about in public spaces. The UK surely wouldn't be one of the most CCTV surveilled countries in the world if this were indeed the case : )
The problem is that much of the space around town isn't really 'public'. The council-owned spaces (which we pay for of course) are seemingly almost impossible to 'officially' film in. Apparently the main concern is to protect the privacy of anyone that might be photographed. Seemingly open public spaces like the market square and shopping centres, (although they invite our presence as paying customers) do not welcome photographers at all.
In short, I'm not entirely surprised, but a little disappointed at these experiences. +++UPDATE 16/12/11 But very heartened by the possibility of the library shooting :) +++ My film when it's finished will show the Town in a good light, but it certainly hasn't been made any easier so far by the folks that set and enforce the 'rules' around the place. In such a risk-averse society, there seem to be plenty of 'good' reasons not to allow a bloke with a tripod and a 1970's cine camera to wander around taking pictures.
Perhaps a strange man has been filming you in Enfield Town recently? If you have been affected by any issues raised in this post, please use the comments button below...
Friday, December 02, 2011
Simon Draws : The Hedgehog
Here's the third video in the series I have been editing for Simon's Cat Ltd. This time, the immensely-talented Simon Tofield shows how he draws his Hedgehog characters.
Tuesday, November 29, 2011
♫ ♪ Sa Vela by Rossella Faa ♪ ♫
Well, after a little hunting I found out that Rossella Faa has a MySpace page.
This makes it possible for me to embed a link here to Sa Vela one of the most beautiful things you'll hear anywhere...
Go on, press this button ...
This makes it possible for me to embed a link here to Sa Vela one of the most beautiful things you'll hear anywhere...
Go on, press this button ...
Saturday, November 26, 2011
But ambassador you spoil us ...
On Thursday night this week I went over to the Italian Cultural Institute in London's swanky Belgravia Square. This is the part of town where you find the grand embassy buildings; all imposing stucco facades draped with the flags of all nations...
The evening was a presentation of the work of artist Carolina Melis. The main event was a screening of her film Le Fiamme di Nule (see below). The film uses a mixture of dance and animation to tell the story of three Sardinian women engaged in the Nule tapestry competition. The scenes depicting the tapestries being woven were nicely expressionistic with giant threads and a very pleasing integration of black and white studio based live-action with animated sequences. There was also a sequence of archival black and white still photography in the film too. The music by Rosella Faa is especially beautiful, I'll be searching out more of this...
By chance I met with D.O.P. Pete Elmore at the screening, (I've worked with Pete on shoots at TANDEM several times before.) Pete used his own Bolex (with motor) 16mm camera for shooting the live action shots seen in Le fiamme di Nule.
After the screening there was a chance to see tapestries that Carolina has designed and to sample some Sardinian nibbles too. Pecorino cheese with fig jam and nutty torrone were amongst the edible delights on offer here.
All in all a nice slice of Sardinian hospitality and an interesting event.
The evening was a presentation of the work of artist Carolina Melis. The main event was a screening of her film Le Fiamme di Nule (see below). The film uses a mixture of dance and animation to tell the story of three Sardinian women engaged in the Nule tapestry competition. The scenes depicting the tapestries being woven were nicely expressionistic with giant threads and a very pleasing integration of black and white studio based live-action with animated sequences. There was also a sequence of archival black and white still photography in the film too. The music by Rosella Faa is especially beautiful, I'll be searching out more of this...
By chance I met with D.O.P. Pete Elmore at the screening, (I've worked with Pete on shoots at TANDEM several times before.) Pete used his own Bolex (with motor) 16mm camera for shooting the live action shots seen in Le fiamme di Nule.
After the screening there was a chance to see tapestries that Carolina has designed and to sample some Sardinian nibbles too. Pecorino cheese with fig jam and nutty torrone were amongst the edible delights on offer here.
All in all a nice slice of Sardinian hospitality and an interesting event.
Friday, November 25, 2011
Simon Draws : The Kitten
Here's the second of the Simon Draws videos, this is a web series I've been editing for Simon's Cat Ltd. This time, the talented Mr. Simon Tofield shows you how to draw kittens.
Thursday, November 24, 2011
Another new film scanner!
Well it's not often that NEW equipment comes out for handling super8 and other small film formats. Imagine my surprise and delight upon discovering this... (NOTE: There is no sound on this video.)
The Müller HM73 Data Framescanner scans all film formats up to 16mm, using laser sprocket alignment, all-roller transport and saving images frame by frame to data in RAW format. I'd have one but for the small matter of €27,0000; but Christmas is coming soon readers ;)
The Müller HM73 Data Framescanner scans all film formats up to 16mm, using laser sprocket alignment, all-roller transport and saving images frame by frame to data in RAW format. I'd have one but for the small matter of €27,0000; but Christmas is coming soon readers ;)
Wednesday, November 23, 2011
Elbow in a church
Last night, (big thanks to my cousin Steve), we got to see the band Elbow play at the St. John at Hackney church. The gig was arranged as part of the Little Noise Sessions in aid of the charity MENCAP.
The band are a really class act and they probably ought to be with this being their 20th year playing together. I was fortunate enough to also see them play at Cambridge Junction earlier this year (thanks again to my cousin Steve), so by luck I saw the band at both ends of their 2011 tour, and both times up-close in pretty small venues.
Seeing a gig in a church seems to be something of a modern trend, and the St. John at Hackney delivered well as a unique and quirky venue with lots of architectural character. The gig was being filmed; there was a fella re-purposing the pulpit as a handy vantage point for some adventurous Polecam shooting. I'd be very curious to see how that footage turned out...
The band are a really class act and they probably ought to be with this being their 20th year playing together. I was fortunate enough to also see them play at Cambridge Junction earlier this year (thanks again to my cousin Steve), so by luck I saw the band at both ends of their 2011 tour, and both times up-close in pretty small venues.
Seeing a gig in a church seems to be something of a modern trend, and the St. John at Hackney delivered well as a unique and quirky venue with lots of architectural character. The gig was being filmed; there was a fella re-purposing the pulpit as a handy vantage point for some adventurous Polecam shooting. I'd be very curious to see how that footage turned out...
Sunday, November 20, 2011
Simon Draws: Simon's Cat
This last week at work I have been mostly editing for Simon's Cat Ltd. We're putting together some short educational films showing how the hugely talented Simon Tofield draws his amazing cartoons. This first film shows Simon sketching his much-loved Simon's Cat character complete with his own narration. Simon drew straight into Adobe Flash and we used screen capture software to record his performance. Simon's voice over was recorded simultaneously as high quality .wav files using an Edirol digital sound recorder and my Rode Videomic pro shotgun microphone. The backing music was specially recorded for the film by Shrooty (a.k.a. composer and sound designer Russell Pay).
Friday, November 18, 2011
New Film Old Camera
Well, these little yellow boxes on my desk can only mean one thing...
Yep, that's right, I'm scratching my 8mm itch again. Some weekends recently I've been out and about in Enfield shooting some proper cine film. I bought 3 rolls of this Kodak Ektachrome 100T film, and have shot almost 2 of them already.
I've been getting some funny looks from the locals whilst shooting... we don't get many tourists in Enfield, and even if we did, not many of them would be filming with a camera like this...
Yep, it's my 'new' Nizo 156XL, and the monstrosity stuck on the front is the Panasonic LA7200 Anamorphic lens adaptor. WHAT? Yes, I'm making my little film in Super8 16x9 format... exciting stuff.
The first finished roll has already been processed at Andec FilmTechnik lab in Germany and returned. (A round-trip of three weeks!) I've now sent that film over to Uppsala Bildteknik in Sweden for a Flashscan HD transfer. (I'll possibly blog a bit more about the logistics of all of this at a later date.)
Who knows how the film will come out... Will it be jittery, will it be sharp, and for that matter will it be any damn good at all ???
Yep, that's right, I'm scratching my 8mm itch again. Some weekends recently I've been out and about in Enfield shooting some proper cine film. I bought 3 rolls of this Kodak Ektachrome 100T film, and have shot almost 2 of them already.
I've been getting some funny looks from the locals whilst shooting... we don't get many tourists in Enfield, and even if we did, not many of them would be filming with a camera like this...
Yep, it's my 'new' Nizo 156XL, and the monstrosity stuck on the front is the Panasonic LA7200 Anamorphic lens adaptor. WHAT? Yes, I'm making my little film in Super8 16x9 format... exciting stuff.
The first finished roll has already been processed at Andec FilmTechnik lab in Germany and returned. (A round-trip of three weeks!) I've now sent that film over to Uppsala Bildteknik in Sweden for a Flashscan HD transfer. (I'll possibly blog a bit more about the logistics of all of this at a later date.)
Who knows how the film will come out... Will it be jittery, will it be sharp, and for that matter will it be any damn good at all ???
Monday, November 14, 2011
Sunday, November 13, 2011
Spins From the Bin
Whilst archiving data off my PC hard drive, I've un-earthed many tests and experimental projects; lots of these are things that never saw the light of day, until now... First up, we have some of my adventures in the field of audio/music making.
Stunned
Back in 2005 then I was experimenting with Cubasis and playing around with some text to speech software. There's even a little bit of accoustic guitar in here, how rock 'n' roll is that?
Stunned by projectmusic
Xylofonos
This second example is also circa 2005. This repetitive piece of plinky plonky electronica became the soundtrack for my 2006 animation film Evo.
Xylofonos by projectmusic
Pony
Now to bring things more up to date, here is some 2011 material! I recently downloaded a demo version of Mixcraft and had another go; perhaps some kind of soundtrack piece, maybe for another short film...
Pony by projectmusic
Stunned
Back in 2005 then I was experimenting with Cubasis and playing around with some text to speech software. There's even a little bit of accoustic guitar in here, how rock 'n' roll is that?
Stunned by projectmusic
Xylofonos
This second example is also circa 2005. This repetitive piece of plinky plonky electronica became the soundtrack for my 2006 animation film Evo.
Xylofonos by projectmusic
Pony
Now to bring things more up to date, here is some 2011 material! I recently downloaded a demo version of Mixcraft and had another go; perhaps some kind of soundtrack piece, maybe for another short film...
Pony by projectmusic
Wednesday, November 09, 2011
Information Film for Camelot Property Management
At the very end of last year I produced,directed,designed and edited this 13 minute corporate film for Camelot Property Management. The company rents out living spaces in properties that would otherwise lie dormant and unused. Camelot Property Management hired me to create an informational film to be presented to all prospective customers of their service.
Given the information-rich content of the film and the importance of the legal and safety information involved; the client and I decided on a very clean 'info-graphics' style for maximum clarity. The video contains text-animation, simple CGI animation, 2D graphical animation and some 'rotoscoped' live action characters too.
The entire video is now over on the Camelot website and YouTube channel, so I now feel happy to embed a link to the film...
Given the information-rich content of the film and the importance of the legal and safety information involved; the client and I decided on a very clean 'info-graphics' style for maximum clarity. The video contains text-animation, simple CGI animation, 2D graphical animation and some 'rotoscoped' live action characters too.
The entire video is now over on the Camelot website and YouTube channel, so I now feel happy to embed a link to the film...
Saturday, November 05, 2011
A Special Slide Show
We went to see The Specials play at Alexandra Palace last night. It was a cracking gig, and I'm still wondering where all of those middle-aged skinheads turned up from, I mean, where do they go the rest of the time?
Anyway, one of the clear highlights of the gig, didn't feature the band at all. Right before The Specials came on, we had John Barry's Theme from The Persuaders accompanied by a projected slide show of still photos covering life in Britain over the past 30 years. The first photo was Margaret Thatcher, the last one was David Cameron, the obvious question being, how have things changed/stayed the same over these last three decades?
The skillfully-sequenced pictures covered every news-worthy triumph and disaster imaginable. From sporting moments to terrorist attacks, the selection of images was spot on: a reminder of just how powerful these editorial stills can be.
The band kicked-off with Gangters, the irresistable ska took over and the Rude Boys (and somewhat fewer Rude Girls) began leaping up and down with increasing abandon; partying like it was 1979.
Anyway, one of the clear highlights of the gig, didn't feature the band at all. Right before The Specials came on, we had John Barry's Theme from The Persuaders accompanied by a projected slide show of still photos covering life in Britain over the past 30 years. The first photo was Margaret Thatcher, the last one was David Cameron, the obvious question being, how have things changed/stayed the same over these last three decades?
The skillfully-sequenced pictures covered every news-worthy triumph and disaster imaginable. From sporting moments to terrorist attacks, the selection of images was spot on: a reminder of just how powerful these editorial stills can be.
The band kicked-off with Gangters, the irresistable ska took over and the Rude Boys (and somewhat fewer Rude Girls) began leaping up and down with increasing abandon; partying like it was 1979.
Friday, October 28, 2011
Cheap Book Club Chronicles : Volume One by Bob Dylan £3
Following in the esteemed footsteps of Oprah Winfrey, Richard and indeed Judy, I announce the Cheap Book Club... All books must be second-hand, borrowed, freebies or hugely discounted to qualify for review... No new or expensive books will be considered...Here's a book I've just hugely enjoyed... It came out in 2004, but I've waited seven years for the £3 discounted paperback to appear...
I 'discovered' Bob Dylan in my impressionable 1980s mid-teens after seeing the D.A. Pennebaker documentary film Don't Look Back. (see the all time classic Subterranean Homesick Blues via YouTube embedded below). I was impressed enough then to seek out more; even to go out and buy a few albums. So Chronicles : Volume One was an easy read for me. I think you have to have some interest to pick up this book, but you don't have to be a hard-core Dylan fan to enjoy the story as it's told.
Bob Dylan seems to have lived an accelerated life; even to the extent of achieving his mid-life crisis in his twenties. We read here as much about his doubts and uncertainties as we do his output of songs and albums.
New York's early '60s folk club scene is vividly brought to life; then the book makes thematically-based leaps, lurching forwards and backwards in time from there. There are extended dry periods when Dylan seeks motivation and is continually bewildered by the expectations of others. There are curious gaps in his recording work and similarly in his telling of it too. The recording of most of the great albums goes without a mention, then he singles out the New Orleans recording sessions for the 'Oh Mercy' album with Daniel Lanois in 1989 for particular scrutiny.
Chronicles is an eclectic and entirely subjective selection of moments from an extraordinary life: yet it's the process by which Dylan comes to his writing that emerges from the tangled-up reminiscences here.
Book club members (Well that's anybody really) are invited to use the comments feature below to discuss the book...
I liked it.
Sunday, October 23, 2011
8mm Early 90s : Super8 film ... YouTube Reloaded
Here's a collection of my old 'college days' super 8 footage from the early 1990s. I've re-uploaded it to my YouTube Channel, because the quality of this now is so much better than it was with 2008 YouTube compression and low resolution settings I used previously... I mean, it was THREE whole years ago I first put this online.
I've also now upgraded my music licence for the soundtrack I chose back in 2008 to edit this to. The music is called 'Secrets From The Screen' by Chris Harvey; I discovered/licenced this through Magnatune.com
Fans of this blog. (erm... consider yourself to be one of a very small and select group in this respect) might notice I've just added FaceBook 'like' buttons to these posts. Go ahead, I invite you to try them out... You might also spot the comment button too... that has always been there (where it says 0 comments); but granted, it is easily over-looked.
Thursday, October 20, 2011
Simon's Cat: Kitten Chaos Premiere Event Film
Well this IS very exciting! Two weeks ago I was hired by Canongate Books / Simon's Cat Ltd. to film the launch event for Simon Tofield's new book 'Kitten Chaos'. I shot lots of footage (and some stills) at the event and then spent around a week getting this edited down to this short web-friendly promo film. I'll probably post a bit more soon about shooting the event itself, but in the meantime, please enjoy the film embedded here from the Canongate Books YouTube channel.
California 08 : Super8 film ... YouTube Reloaded
Well, I didn't like the look of my California 08 film on YouTube with its 2008 era video quality, so I've re-uploaded this now (see above), and it is looking a lot better. The video quality still seems to be better over on vimeo.com though...
Saturday, October 15, 2011
Magnatune for Production Music?
Around three years ago I posted this film on YouTube...
As I mentioned a few posts back, some fragmentary clips from this film can currently be seen in the music promo video for the new Lana Del Rey song Video Games.
A further development, now is that YouTube have written to me to ask if I wish the video to be considered for YouTube 'Partnership' status. The idea is that if approved, the film will have ads placed on it, and that eventually I might just see some trickle of revenue back via Google AdSense (we'll see how that goes). I was very surprised to be asked about this, because the number of hits the film has received so far, is very modest indeed (around 9000 in 3 years.)
One consequence of the YouTube approach, is that I've decided to secure the appropriate licence on the sound track of the film to enable the agreement to go ahead.
Fortunately back in 2008, I was (and still remain) fairly scrupulous about music usage rights on my films, and I had sought music from www.magnatune.com Under the terms and conditions they had then, I was able to buy the album and use it for internet distribution of a non profit-making film.
Now that the YT partnership has been offered, I got back in touch with Magnatune last night and got a very speedy and reasonable deal to 'upgrade' to a more suitable licence to reflect this change in circumstances.
I can say that not only is Magnatune a great source for new and varied music, but that they also very much have their act together in terms of enabling film-makers to effectively and affordably gain the licences they need to use the music in productions.
Now, I only wish there was a way of retrospectively improving the video quality of the old YouTube film. Three years ago, there was no HD option on YouTube only something called 'HQ mode' which seems to have been scrapped since then. I'm left with an online video only at 360P size which is very low-res indeed (and also horribly compressed). YouTube don't seem to offer any way of replacing an old clip like this apart from re-uploading and beginning again with no comments or hits etc.
The best quality online version of this film available, is the one over on Vimeo.com. Compare and contrast the quality of this same online film hosted on the different video sharing platforms... Come on YouTube, we need to be able to upgrade these grotty old uploads from the bad old days...
As I mentioned a few posts back, some fragmentary clips from this film can currently be seen in the music promo video for the new Lana Del Rey song Video Games.
A further development, now is that YouTube have written to me to ask if I wish the video to be considered for YouTube 'Partnership' status. The idea is that if approved, the film will have ads placed on it, and that eventually I might just see some trickle of revenue back via Google AdSense (we'll see how that goes). I was very surprised to be asked about this, because the number of hits the film has received so far, is very modest indeed (around 9000 in 3 years.)
One consequence of the YouTube approach, is that I've decided to secure the appropriate licence on the sound track of the film to enable the agreement to go ahead.
Fortunately back in 2008, I was (and still remain) fairly scrupulous about music usage rights on my films, and I had sought music from www.magnatune.com Under the terms and conditions they had then, I was able to buy the album and use it for internet distribution of a non profit-making film.
Now that the YT partnership has been offered, I got back in touch with Magnatune last night and got a very speedy and reasonable deal to 'upgrade' to a more suitable licence to reflect this change in circumstances.
I can say that not only is Magnatune a great source for new and varied music, but that they also very much have their act together in terms of enabling film-makers to effectively and affordably gain the licences they need to use the music in productions.
Now, I only wish there was a way of retrospectively improving the video quality of the old YouTube film. Three years ago, there was no HD option on YouTube only something called 'HQ mode' which seems to have been scrapped since then. I'm left with an online video only at 360P size which is very low-res indeed (and also horribly compressed). YouTube don't seem to offer any way of replacing an old clip like this apart from re-uploading and beginning again with no comments or hits etc.
The best quality online version of this film available, is the one over on Vimeo.com. Compare and contrast the quality of this same online film hosted on the different video sharing platforms... Come on YouTube, we need to be able to upgrade these grotty old uploads from the bad old days...
Saturday, October 01, 2011
Police 101 Promo
At TANDEM recently I was asked to make a promo video for the Police. A Learjet over to Sting's Tuscan villa? Well no, the client would be the UK Home Office, so instead I went to the M&C Saatchi offices in Golden Square to find out what it was all about.
My enquiries revealed that the police forces up and down the UK are rolling out a new telephone response service for reporting 'non emergency' issues. The public are to be encouraged to use the number 101 for the types of calls which don't warrant the full emergency response of a 999 call. The police were asking for an on-line film to promote the new number and encourage the public to use it from now on.
I directed, shot and composited the film in about three weeks with a couple of days compositing help from Chris Forrester at the end of the schedule. Due to all kinds of constraints, I decided the film could be made (almost) entirely with stills photography and After Effects compositing, so that's the way we went. I shot the film all with my Canon 600D camera, mostly using the Tokina 11-16mm wide angle zoom , but I also experimented with some of my dad's old Pentax mount lenses when shooting the panoramic cityscape shots at the start of the film.
The film has appeared on-line now (It seems the Devon & Cornwall police have put it on YouTube already) so it seems OK now to embed that link here for you to see it...
My enquiries revealed that the police forces up and down the UK are rolling out a new telephone response service for reporting 'non emergency' issues. The public are to be encouraged to use the number 101 for the types of calls which don't warrant the full emergency response of a 999 call. The police were asking for an on-line film to promote the new number and encourage the public to use it from now on.
I directed, shot and composited the film in about three weeks with a couple of days compositing help from Chris Forrester at the end of the schedule. Due to all kinds of constraints, I decided the film could be made (almost) entirely with stills photography and After Effects compositing, so that's the way we went. I shot the film all with my Canon 600D camera, mostly using the Tokina 11-16mm wide angle zoom , but I also experimented with some of my dad's old Pentax mount lenses when shooting the panoramic cityscape shots at the start of the film.
The film has appeared on-line now (It seems the Devon & Cornwall police have put it on YouTube already) so it seems OK now to embed that link here for you to see it...